Love notes
Friday, July 3, 2026
2006 & NOw
Orgasmic High in LovE with Myself - 3 July 2026
Feeling stretched between heaven and earth
In Love, with Nature,
The wind raging over my wild spirits...
The sounds of the magestic river
My anklets in the wind....
Orgasmically in union with nature......
Happily ever after.........With myself.......
இயக்குனர் கே.பாலசந்தரின் அதிகம் அறியப்படாத கதாநாயகன்
முற்போக்கு கதாநாயகனுக்கான தேடல்……

1985 — கே.பாலசந்தரின் சிந்து பைரவி வெளிவந்தது.
இது கே.பாலசந்தரின் இயக்கமா?
இல்லை, இளையராஜாவின் இசையா?
அல்லது கே.ஜே.யேசுதாஸ் நிகழ்த்தும் குரலோ?
எதுவாக இருந்தாலும், இந்த படம் இன்னமும் தனித்து நிற்கிறது.
ஆனால், கரையோரம் நின்ற சிந்து எங்கே?
அவளுக்கு தனக்கென ஒரு வாழ்க்கை இருந்ததா? அலைகள் அவளை அழைத்துச் செல்லும் இடத்திற்கு அவள் சென்றாளா? இவற்றின் பதில்களை அவளது பரிணாம வளர்ச்சி குறித்த அடுத்த கட்டுரைக்கு வைக்கிறேன்.
சிந்து பைரவியின் தொடர்ச்சி உண்டு — ஆனால் அது பலருக்குத் தெரியாமல் போனது.
2006-இல் ஜெயா டிவியில் மட்டும் ஒளிபரப்பான சஹானா, அதற்கான பதில்.
இப்போது, இயக்குநர் சிகரம் கே.பாலசந்தரின் எஞ்சியிருக்கும் கதாநாயகனை — சிற்பமாக செதுக்கிய தனபாலனை — பார்க்கலாம்.
நான் இந்தக் கட்டுரையை சில வாக்கியங்களுக்கு மேல் நீடிக்கப் போவதில்லை. நான் இந்திரா சௌந்தரராஜனும் அல்ல, அருணகிரிநாதரும் அல்ல.
நீண்ட கதையை சுருக்கமாகச் சொல்கிறேன்.
சஹானா சீரியலில் பிரகாஷ் ராஜ் நடித்த கதாநாயகன் — “தனபாலன்”.
வெவ்வேறு தருணங்களில்,
உணர்வுகளுக்கு மதிப்பளிக்க வேண்டியதன் அவசியத்தை அவர் வலியுறுத்துகிறார்.
சிந்து தனது கடந்த காலத்தை எதிர்கொள்ளும் போது,
விஷயங்களை வேறொரு ஒளியில் காணச் செய்கிறார்.
அவளின் உள்ளத்தைப் புரிந்து,
அவளுக்கொரு உண்மையான நண்பனாக,
மனதின் ஆழத்தை அறிந்தவனாக,
மெதுவாக அவளுக்குத் தகுதியானவராக மாறுகிறார்.
‘அவள் ஒரு தொடர்கதை’ போலல்லாமல், சிந்துவுக்கு சஹானாவின் மகிழ்ச்சியான முடிவில் நான் இன்னும் பரவசத்தில் இருக்கிறேன்.
இயக்குநர் சிகரம் கே.பாலச்சந்தர் அவர்களுக்கு மனமார்ந்த நன்றி.
Once Upon A Time ..... Ads were like this
Sandhyavandhanam Importance by Shri Shri Krishna Premi Anna ( *** Have to write english subtitles)
https://www.youtube.com/watch?v=Y8wWRoUteEk
-Solar remedies - are to be gradually increased as opposed to immediately increasing, all of a sudden. Since it causes immediate activation of the solar plexus, and may cause extreme rise of digestive fires.
The Strength of Silence 🤫 Date - July 17,2025
What Mauna or Silence Teaches Us....

Dakshinamurthy - The Form of Embodied Silence
The Dakshinamurthy stotram goes as follows,
मौनव्याख्या प्रकटितपरब्रह्मतत्वंयुवानं
वर्शिष्ठान्तेवसदृषिगणैरावृतं ब्रह्मनिष्ठैः |
आचार्येन्द्रं करकलित चिन्मुद्रमानन्दमूर्तिं
स्वात्मरामं मुदितवदनं दक्षिणामूर्तिमीडे ‖
maunavyākhyā prakaṭita parabrahmatatvaṃ yuvānaṃ
varśiṣṭhānte vasad ṛṣigaṇair āvṛtaṃ brahmaniṣṭhaiḥ |
ācāryendraṃ karakalita cinmudram ānandamūrtiṃ
svātmarāmaṃ muditavadanaṃ dakṣiṇāmūrtimīḍe ‖
I salute Śrī Dakṣiṇāmūrti, the Young Guru, who teaches the knowledge of Brahman through silence, who is surrounded by disciples, who are themselves ṛṣis and scholars in the Vedas. (I worship Śrī Dakṣiṇāmūrti), who is the teacher of teachers, whose hand is held in the sign of knowledge (cin-mudrā), whose nature is fullness, who reveals in himself, and who is ever silent. (1)
I’ve never paid much attention to the form of Dakhsinamurthy, as a teacher in complete silence 🔕 certainly troubled me a lot. I was more inclined to the form of Saraswathi, as I could relate more to that form of learning Goddess.
However, this form resonated a lot with me on my spirital journey, when I started observing Mauna on Ekadasi. It’s almost a work in progress, as offlate, its been difficult to follow either the Ekadasi or observing silence. Yet, however, I have tried the same for some years.
Since I consider myself very mercurial, this ritual was of observing self restraint on my mental and specially my speech faculties. During my initial days, I struggled with the racing thoughts in my head and wanting to share them. But as I progressed it was certainly helping me in putting all the questions that arose to rest and looking for answers in time rather than speculation at the moment. A mindful answer to a restless mind.
Mauna and it's Significance in Music
The Dakshinamurthy is an embodiment of the form of Shiva steeped in meditative silence. A few temples, have the form of Dakshinamurthy with the Veena. I always found myself drawn to this image lately.
The Saint of Kanchi, used to observe the Mauna Vrat on Moola Nakshatra. Mula nakshatra having Ketu as its lord, is associated with Kali, probably rooting out, all that is unnecessary. In his words,
‘Mauna’ is an important method of worshipping God. Mauna in this context does not mean merely silence. It is also the process of keeping the mind free of all thoughts. It implies that we should keep our senses under perfect control, so that, during the period of silence, the limbs may not move even involuntarily. Such a Mauna will enable the divine spark, within every one of us, to become active in its progress towards the realization of the Paramatman.”
Dance of the Wind — By Director Ranjan Khosa
This theme was echoed in the film 🎥 Dance of the Wind, by Ranjan Khosa. The daughter Pallavi, played by Kitu Gidwani, loses her voice on the passing away of her mother who also is her Guru, only to regain her voice on her interaction with a young wanderer girl. On caring for her her, she find new meaning and also her own authentic voice.
The film also deals with the polarity, of the fast paced pop culture music and the desire of the calmness that classical music offers. A archetypal Rahu-Ketu polarilty, when you speak of, on astrological terms.
The plot has the character of Munir Baba, who is the Guru of Karuna Devi. The plot mentions that he goes into a complete silence when his disciple Karuna Devi starts performing.
Yet, in the climax he offers two main lessons to Karuna Devis daughter, Pallavi.
- In my silence let your music be born
- Stop persuing the knowledge, it will find you.
After which he casts off the thread passed onto her from her mother, setting her free from the tradition.


The film also talks of the unending relationship between a true Guru and disciple. It's a divine bond that stays not just, in this life but across lifetimes and maybe even generations. This may seem like an exaggeration. But this link, is beautifully portrayed with silence of Munir Baba and the lovely innocent music of the girl and on the appearance of Munir Baba at the balcony of Karuna Devi when she passes away, almost relieving her soul of the weight.
Clairaudient
The nakshatra of Shravana has been linked to this aspect of Clairaudience, most closely related to Saraswathi. I remember when I chanced upon this word, I had read of a music composer who had dreamt (sort of heard) of the song notes, like it was sent from heaven.
In this vein, I recollect an interaction with my cousin on the Saraswathi Veena. She enquired with me, why I was so obsessively bent upon learning the instrument. I said, I couldnt grasp the thalam (layam) aspects, yet I was very drawn to feeling the note in the instrument. My cousin was skeptical of, what exactly was “feeling the note”.
I was reminded of the quote, “Listening to music, is like a conversation between yourself and your soul. It is a signature that only you will understand.”
The Veena is almost akin to the Human spine. Its interesting to note the construction of the Melakarta raga system by Venkatamakhin is based on the concept of Chakras.

The Veena is akin to the the Human spine. Here’s a Radiologists perspective on the same https://nmji.in/neuroradiology-intertwined-with-the-veena-a-radiologist-perspective/

Every once in a while, when I played the Veena, I was able to appreciate frequecies and my nerves could feel the effect the raga had on my body. Its still a work in progess, Ive never got even remotely close, but I love every small step in the way. Interestingly, after a very serious breakup, I picked up the instrument, I had a vivid dream of my nerves like a rainbow spectrum light…….I recounted the dream to my friend Radhika, and we discussed Reiki, healing hands, etc. ( and offcourse Ravan).
Endeavouring on the Flute
If you keep the conch close to your ear, you hear the unending sound of the waves. If the Veena even helps you get a glimpse of Kundalini awakening, endeavouring to learn the flute, enables you to understand the intricacies of breath.

Talk of Fractal images, infine imagery, Im reminded of the description in the Srimad Bhagavatham of the imagery of the infinite worlds in the mouth of Krishna for Yashoda. The conch has a similar structure of Harmonic series, like that of the DNA strand.

Stepping onto this new journey, with much to look forward to in this infinite world of possibilities.
Unti next time, Radhe Krishna….
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